Wednesday, June 3, 2009

Dialectics of Desire and Revolution: Vienét's 'Girls of Kamare'

Unpublished

ABSTRACT

In the Fall 2008 issue of October, Kelly Baum wrote an article entitled The Sex of the Situationist International. In it, she radically reformulates the accepted art historical understanding of a common “leitmotif” in Situationist publications, that of nude or semi-nude women. Previously, critics ignored the usage either by dismissing it as, in the words of Thomas Levin, “problematic depictions of scantily clad women” or by condemning it, as did Susan Suleiman, as the product of a “men’s club.” Baum, however, asserts that the Situationists, while reproducing some of the gender biases of the time, were actually using these images as a way to critique the alienation of desire as present in advanced capitalism. Baum goes even farther, indicating that the images the Situationists used in their publications of women were not actually images of women, but rather images of desire. Relying on work done by Thomas Y. Levin, Giorgio Agamben and Henri Lefebvre, Baum succeeds in developing an analysis that situates the Situationist use of images of desire as gendered politicization of desire to attempt a “revolution in desire.” In this paper, I intend to extend Baum’s analysis of printed images and a curt examination of Debord’s Society of the Spectacle to a film directed by Situationist International member René Viénet called Girls of Kamare, on which there is little to no theorization available, while exploring the revolutionary implications of this detourning of desire through a psychoanalytic and visual studies lens.

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Tuesday, June 2, 2009

Preface to the Journal of Poignant Living (in progress)



The goal of this record is to record the moments that sometimes, but inevitably do occur within the experience of my lifeRight, my life, why should you care about my life? Well, though I am a fan of a certain conservative solipsistic point of view, I do believe experience, and specifically the communication of personal experience a highly subjective and individual endeavor. However, I do believe experience to be mediated by biological and socio-cultural norms and practices, which is why I am writing this, someone will get it, right? Specifically moments which have been characterized as "Ah ha!" moments, yet further, "ah ha"s that manifest themselves physically, not just psychically. In my experience, the shivers, goose bumps. An understanding, ultimately provoked from outside the self gets worked into a personal narrative of being and the moment in which the newest puzzle piece to be formed out of ethereal reality is fit into the geometric structure of the 1/4, 1/2, 3/4 completed puzzle story, a physical marker of addition, simplification, complexification, abstraction, what we call wisdom, is affected. A shiver of what some may call the divine is felt traveling like lightening through my system. I'm taking special care to find colloquial expressions of this phenomenon, in hopes that what I am communicating is actually understandable and maybe, just maybe, inspires the 'divine' breath of 'shivers' of which I speak.
A chronicle of such is important for a few reasons. On a personal level, it is these moments which mean the most to me, that make me love life almost as much as the existence of the feeling of love does. That's not exactly right, I wish that were completely correct, but it is only a half truth (the part about me loving love). The bastard descendant of Western chivalric loveOcatvio Paz, The Double Flame: Love & Eroticism. between a man and a woman that exists today doesn't hold much significance for me personally, however I am compelled by what people will do for the intense feelings of affection that develop between people as a reaction to an innate condition of loneliness predicated upon the solitary nature of understanding (here we see that conservative solipsism I was speaking of earlier).
A second reason for this transcription of phenomena is its seemingly metaphysical nature. This of course brings up the question of where the body ends and the...spirit, soul, consciousness, personality, identity, Ego and Superego, etc. begins. In my estimation, our culture has been wrong to view linguistically view this problem of metaphysics on a horizontal scale of signification. In other words, to negatively oppose body and mind and this is of course a discussion which has been existent since earliest philosophical meanderings, yet here we are, in a rather advanced state of human cultural production and weYes, even the most scientifically rational person will find themselves falling back on this distinction every now and again cling to this idea that outside of our body, there, we are. As if pointing from within we can see our reflection outside. Perhaps something like Lacan's mirror. Lacan, Metz, Mulvey have wrote that it is, and this is an intense, but I believe correct, abstraction, that it is within the social that we find the reflection of what we call soul. And once again, we've swung back around to understanding between as the ultimate goal. But more on this when need be.
So, for right now, we have an optical illusion of selfhood which has produced the greatest metaphysical question of western philosophy.

Wednesday, June 11, 2008

Wednesday, March 12, 2008

The Movers and Shakers

Dane in Afro wig, Adam with Band hat, Joel with rockstar glasses, Shane with tattoos

Culture Shock Costume Party

Tuesday, December 18, 2007

Grey, Spiral-y Life



Drunken Philosophic Philanthropy

Where have I been this last year...living in the moment, every moment, because it's moment to moment, every moment. That's life these days, decisions made second upon second, always connected to some network of requirements. Design this, accomplish this, speak this, arrange this, that is my life now. Every moment I make something happen. I awake, jump. Run down some crafty stairs to my awaiting Mac portal to the world. And there I sit, 7 hours, 12 hours, some crazy amount of my life, there I am, sitting, getting things done, doing exactly what I want to working at the speed I think. And BWAW! something's done. But what do I feel, how do I rate my concurrent experience that is life? Bored.
Bored.
I still urge to feel other, to know other, to be interested in the conversation that surrounds me....what would it be to know that? To be appeased in just being, in that everlasting moment of which I live repeatedly. Most likely it would be exactly what I feel right now, with a slight twist (I'm sure) in vocab and significations....but thet grey would remain, that indifference to the actual moment--although, that occurence, that happening which is so disgusting--it's fragmentary nature IS the moment.

Friday, December 14, 2007

Sunday, October 28, 2007

Monday, July 30, 2007

Monday, July 23, 2007

Death

Disgust, covered by decorum, masked by want of normalcy
Disgust, a wild sea of untranslatable emotions
Disgust, failure, wanting....waining into wanting
of
something more than I have in me,
something more than can be,
something, something;
nothing here.
-crap-
I haven't been this depressed since
those days when life was still fresh, new, and foreign.

I haven't been this confused since
those nights when I wrote my philosophies.




A friend of mine died.

Disgust. Something. Nothing.

Wednesday, July 4, 2007

The Peacock

A few weeks ago, an enchanted night left me with an enchanting woman in my bed who stole my attention and became a muse, morphing into that transparent ethereal object which is most elusive to those of the artistic persuasion. To tell you the truth, she was the first person to stir my soul since my Colombian ex (a fire brand, she filled all my needs and twisted my person so). It came at the perfect time; I was not proud. I needed someone to inflate me and we ran around town, hand in hand like children trying to find some dark corner to play forbidden games. We played til the morning light. Then she left and went back home to Chicago.
Round about the same time, I hired a photographer. From the moment I perused her portfolio, I knew she was perfect. She had the eye for detail and, and most importantly, an appreciation for visual juxtaposition. Her photos provoked me.

Then a few days later, an e-mail came and she unfolded a story like no other. It seemed horrible, distressing, I sympathized. I'd been through that, I had my heart thrown to the side. This bit of information also put me on edge a little though I was afraid that my photographer would just disappear; a dream that, once again, came so close and then vanished like a morning fog, destroyed by intrepid rays.

Then, a week or so passed and she came in for a little interview. As soon as she walked through the door I was struck by that uncanny feeling of closeness. This feeling, is on eof the great mysteries to me. Parallels, coincidences, memories, all intersect and play tricks on your mind. In the time it took for her to walk from the door to in front of my desk, she had already become my friend Mapy (my first real sister, friend, foil, lover that could never be), Lina (my ex, dark, confident, proud, viciously alive, my first drink of fire), Eileen (my aunt, Irish, jolly, acerbic, stubborn, a strong woman who I always revered for just that). This combination of loves which strode toward me, sat down and I knew at once that this girl was going to be something. Something to me.

At this same time, the week after I encountered a new muse, my friend from Hungary came back from his cross country tour. That weekend, I was to take him to Chicago to fly back to hungary and so naturally, we stayed with this girl who had stirred me.
The first hours went by slowly, we drank beer, trying to cloud the line of decorum. Then, as we strolled through Blues Fest, childish fingers began to play with childish hands. He kissed, again and again, and the Windy city turned into another romantic locale. Metropolises do that to me. I become intoxicated; high off the fumes. We rolled in her bed, made coffee in the mornings, made love in the afternoons and made dinner at night. We'd wake up at noon and lay in bed til 3, go on the porch and read til 5. Go out to dinner and the to a museum. We strolled the city pretending as if we had known each other forever, dated for years and were slated to get married on the morrow.
Then one morning (round about 3 in the afternoon) I find myself with a backpack on my back, turning the 19th century door handle of the 5th floor apartment, turning to my right, kissing her deeply. Smiling. Damn did she have a smile, one that split her face in half with its breadth and cut the world in half with its levity. I pulled the door open, looked back and walked down the stairs.

3 days in 2 days later, I found myself slouched over a rust orange bar, taking pictures of that something's fingernails. My mind was gone, burnt out. My body lay lucidly still. It felt as if whenever I didn't move, I would wave, like a flag floating gently on a breeze or a styrofoam cup bobbing up and down in a still current.
We slept together that night. I remember feeling ashamed for being so dead that night and for the next few days, every time I saw her I felt like I had to apologize for something but she never needed it as I came to find out...I like that.

This girl is something; I just don't know what yet.

See, then there's moments like this, when her presence is missed, where I feel a distinct jealousy of whomever is stealing her presence from me. It drives me crazy. I hate the concept of jealousy, based on the idea of ownership (or even worse, based on some sort of mirror of reflection which constitutes my own being?!), it can lead to no useful action, no matter the tragic beauty.

I am inconstant. My attentions are always divided. She was right when she said I gave my love away too early...once, I poured my attention on one and no other...no need to, but that's in the past, far away now. I just hope it is a cup that can be refilled again.

So back to this something; she's an artist, and there, I can identify with her. She is not a muse to me...although she has inspired this parlay into the realm of words. So wait, she's now a muse and an artist to me, that could be a deadly combination.
Something is kind, she has a benevolent grace about her which confuses even me. Must be the Catholicism in her.

The Peacock - Autoportrait

Friday, June 22, 2007

Friday, June 15, 2007